1/27/2024 0 Comments Actual 18 week fetusNilsson also published the pictures in A Child Is Born, intended as a guide for mothers to be. Together, his shots create a spellbinding timeline, from an egg fertilised with sperm to foetuses at various stages up to six months. Nilsson had set up a studio at the hospital where his subjects would be placed in an aquarium-like environment, which is why they appear to float in space. Photograph: Life Magazine/The LIFE Images Collection via Getty Images Nilsson in surgical scrubs with his endoscopic camera equipment. Whenever the hospital had access to a foetus (or embryo) Nilsson could photograph, they would call him immediately – it was essential to photograph them within a few hours. The photographer worked closely with Professor Axel Ingelman-Sundberg, then head of the women’s clinic at the Sabbatsberg hospital in Stockholm, taking hundreds of shots with his Hasselblad camera from 1958 to 1965. All the other images were either miscarried or terminated pregnancies. This picture was included in Life and is distinct from the others – being taken inside the uterus means it can’t capture the foetus in its entirety. ![]() Nilsson was only able to photograph one living foetus, though, using an endoscopic camera that travelled into a womb. So instead, Nilsson enlisted the help of two endoscope experts, the German company Karl Storz, and the Swedish Jungners Optiska, who created optical tubes with macro lenses and wide-angled optics that could be inserted into a woman’s body. ![]() But charting an unborn child’s development through such images was not common in hospitals until the 1970s, and even today the quality is poor. Ultrasound technology was first introduced for clinical purposes in Glasgow in 1956. They were published in Life as an iconic photo essay, entitled Drama of Life Before Birth. “It was impossible for us not to express a degree of scepticism about his chances of success,” one later recalled, “but this was lost on Nilsson.” A decade later, he returned with the first photographs, shot in both colour and black and white – an unprecedented feat that fused photography and biological study. Nilsson told the editors of Life his plans to capture the beginnings of human existence while visiting New York in 1954.
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